concerto for piano and eight instruments
This concerto originally started as a constructional commentary about the
“eyes” of London moving to become integrated with facial recognition, but
soon evolved into a response to technology’s role in a global pandemic
within the third decade of the 21st century.
Over the course of three movements/parts, this piece demonstrates the
summary of the construction, learning and full application of an AI driven
structure which can construct and control an entire network of information
amidst chaotic events.